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If you’ve spent any time hanging out with us at our rehearsal space in Hoboken—that pretty much covers none of you—you’ve heard us playing formlessly (he said, trying to sidestep the word “improvising”). Most of the songs we’ve written in the last 25 years have begun that way, but often we do it for no other reason than to push away the outside world.
In late April, with the outside world weighing on everybody, we determined that the three of us could assemble in Hoboken without disobeying the rules laid out by Governor Murphy, and resumed . . . “practicing” hardly describes it, because we’ve done no practicing per se, and anyway what would be practicing for . . . playing. James set up one microphone in the middle of the room in case we stumbled on something useful for the future. Instead we decided to release something we did right now.
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Ever since this came across and I took a chance on its intrigue, this has been one of those albums I knew I would absolutely be owning forever. It's such a mesmerizing, cohesive piece and once the symphony steps in, it becomes utterly transcendent. It's one of the best pure pieces of music I've ever heard. I hope one day to hear a live performance, even if it's local musicians and a symphony, just to hear it in that space. giventofly87